Friday, December 22, 2023

A Squeezebox Norwegian Yule


Merry Christmas with accordion music!

Tuesday, December 12, 2023

Accordions in Books- Margery Allingham


Very occasionally, there will be mention of an accordion in some novel or work of literature. In the short story, "The Meaning of the Act," by Margery Allingham, and featuring her detective Albert Campion, he and a friend are attending a theater production.

"‘A whizz-boy,’ said Campion modestly, ‘i.e., pickpocket. The most skilful practitioner in the country. Don’t raise your voice, old man. Listen to the pretty accordion player.’"

Albert Campion as portrayed by Peter Davison in the BBC series of his stories.

Tuesday, November 21, 2023

Accordion Greats - Jeff Taylor




An interview with Jeff Taylor

Monday, September 19, 2011

Accordion Greats- Ronnie Kennedy

PBS was doing their annual fundraising this past week, and one of the featured acts was Irish Country Singer Daniel O'Donnell. He is an impressively good singer, but, of course, I zeroed right in on the accordion player who was not just playing a few good chords of backup. With a little research, I learned that the man is Ronnie Kennedy.


When Ronnie Kennedy was very young he went to see Jimmy Shand, playing in The Theatre Royal, in Dublin. He went home and asked his mother for an accordion. He was soon playing concerts at old folks' homes and for children's parties. As soon as he could he joined a band, eventually working with Johnny McEvoy.

When Daniel O'Donnell saw Ronnie play, he asked Ronnie to join their band, and they have now been together for over 20 years.

Kennedy plays traditional accordion music, but his expertise is such that you will not be left wishing that someone would stop the pain. Here's a video:



Ronnie Kennedy has released four albums of his music:
1999 - Those Were the Days (only available if you can find it used)
2003- Accordion Favourites
2003- Accordion Irish Melodies
2006- O Sole Mio

Ronnie Kennedy web site


Tuesday, August 30, 2011

Album Review- Concert Accordion Artistry of Robert Davine



Robert Davine’s album, the Concert Accordion Artistry of Robert Davine, is modern music on a classic instrument. There is a nice sampling of modern classical music, but not much variety.

You are probably asking yourself, "Do I like accordion music enough to buy an entire album of it?"

Probably the bigger question for this album is, "Do I like modern classical music enough to buy an entire album of it?"

The background of some selections is played by the Lamont Chamber Orchestra. The accordion is featured as a solo instrument, but if you don't like the style of the music, you will hardly notice that it's being played on an accordion. Lots of atonal stuff and discordant harmonies. I didn't think there was very much variety in the selections. However, the album is unusual in that most of the pieces are serious music that were written specifically for accordion. That counts for something in itself.

Davine was Professor of Accordion and Theory at the University of Denver, Lamont School of Music. It was one of the three academic music courses offered in the entire United States. Davine founded the school's accordion department in the late 1950s. He taught until his death, at age 77, on November 25, 2001. There is no question that he is a virtuoso accordionist. The issue is whether this style of music is pleasurable to listen to.

There are liner notes which give more information about the selections, the composers, and also about their performance on accordion.

One hour, 18 tracks

Hans Lang: Prelude and Fugue in C- This piece is almost entirely accordion, and is the most pleasant to listen to on the album

Cecil Effinger: Nocturne- another accordion solo piece. This one seems to have snatches of melodies from time to time but then goes off in unexpected patterns, leaving the typical dissatisfaction of modern music.

Paul Creston: Prelude and Dance, opus 69- this solo is unusual in that it was written particularly for accordion. After a long prelude that doesn't speak to me at all, the dance section is actually melodic and makes one feel like dancing.

Ted Zarlengo: Suite for Accordion, Cello and Piano- again, this piece is unusual in that it was written to take advantage of the particular features of these instruments. There are five movements: Prelude, Scherzo, Pastoral, Interlude and Gigue. This piece is a long atonal collections of phrases that leave me cold. It's mostly piano and cello, but the accordion is heard more in Gigue.

Adamo Volpi: Peludio, opus 31- This is a bit like a Bach fugue, and anyone who has tried to play clear, fast runs on the accordion without muddying them will appreciate the rendition.

Normand Lockwood: Sonata- Fantasy- This piece was written for accordion after the composer heard Davine play. There are three movements: Contemplative, Allegro giocoso, and Adagio serioso. The playing is magnificent. The Fantasy will be appreciated only by those who really like discordant and unrhythmic modern music.

John Gart: Vivo- This piece moves with lightning speed, living up to its name.

Carmelo Pino: Concertino for Strings and Accordion- Again, the music is played beautifully, but the atonal patterns won't please if you don't like this kind of music. There are three movements: Allegro, Andante, and Presto.

David Diamond: Night Music- This is a mood piece. The strings are more dominant.

Matyas Seiber: Introduction and Allegro- This is written for cello and accordion, and the richness of the two instruments. I like this piece the most of any on the album. Although it still has the style of modern music, it really plays one instrument against the other, and they both come through sounding great.

I have to say that this is one of my least favorite of all the accordion albums I own, although it's probably important to have just because of the talent of Davine, and the fact that it shows the accordion can be played as a serious instrument.


Saturday, June 11, 2011

Comment on Comments


Just discovered that I never set this blog up to notify me when there were comments made, so I've been thinking that no one ever read this blog. Sorry, all those of you who have been reading and commenting, and thought I didn't care!

Thursday, June 2, 2011

June is National Accordion Awareness Month


Who knew?

I have to celebrate, right? I'm going to try to practice a little bit every day. We'll see if that results in another video to share. I have to say that my abilities today (after many months of no playing) were rather appalling.

I practiced:
Polka Mazurka
Come Back to Sorrento
Julida Polka
Cadet Boogie
Gay Vienna (named when gay meant happy)
Wheels

I didn't even try any of the hard stuff. Is anyone out there? Shall I make a poll to let you choose which one I should practice hardest?

Hrustevich Plays "Presto" from Vivaldi's Summer


Here is one amazing piece of accordion playing, and by a young person at that!



He's performing what is called "bellows shake" throughout, and that takes a fantastic amount of arm muscle in addition to actually playing the notes.

Saturday, April 30, 2011

Accordion for the Royals at Bucklebury


Did you notice that there was an accordion being played at Bucklebury to celebrate the wedding of William and Kate?



I haven't been a big watcher of all the wedding hoopla, but I admit that I looked up at the word "Buckleberry." Have we suddenly stepped into a Tolkien novel? No, it's really "Bucklebury, but it is truly Kate's hometown, and the non-hobbits turned out to celebrate.

One of them plays a 96-bass piano accordion.

Monday, March 21, 2011

Yet Another Disadvantage of Using Cell Phones





"Excuse Me I Can't Play My Accordion Right Now, I Am On The Phone."

This clear design flaw of the cell phone comes to you courtesy of Patrick Gage. You can see his photos on Flickr

Saturday, March 12, 2011

What is Paris without an Accordion?


Last weekend I was able to attend the Philadelphia Flower Show. The theme was Springtime in Paris, with emphasis on the turn of the 20th Century.



And what would the streets of Paris be without sultry accordion music? It just wouldn't be right, of course, and here were the roving minstrels.

Monday, October 4, 2010

Iva Nova- Accordion with Attitude




Iva Nova is an all-girl rock band from St. Petersburg, Russia. The accordionist certainly plays with more enthusiasm than I think I've ever seen. Believe me, you have to be in pretty good shape to dance around with a 20-pound box strapped to you!

Their web site describes them: "Besides lyrics on Russian IVA NOVA have songs on Ukrainian, Bulgarian, Georgian and Tatar languages. Along with exploiting endless folklore resources they creatively experiment with other styles. Their live show is a mix of lyrical songs and punky-energetic dances."


Iva Nova

Thursday, September 30, 2010

Technorati Claim Code


Nothing special here. Just the Technorati Claim Code - HBYXE3UADQ5N.

Friday, September 10, 2010

OK Go- This Too Shall Pass- Notre Dame Band




This is called OK GO- This too shall pass. Great stuff, but the accordion player is only playing the keyboard hand.



Tuesday, August 31, 2010

Joan Plays Cotton-Eyed Joe


OK, I'm being brave and proving that I can play a little bit. Enjoy it or not! haha.

Lessons learned:
1. Even when I think I'm smiling, I'm not
2. I'm still not holding my right arm out straight
3. I'm rushing the timing
4. I'm still looking at the keys occasionally (bad, bad)
5. I don't have the camera aimed very well (need a good camera man)
6. I shouldn't rush off the second I stop playing




Tuesday, August 10, 2010

The PUP Plays Accordion




Well, the PUP didn't perform so well on Live TV for America's Got Talent, but for sheer novelty and new ways to make an accordion look bad, this one is right up there.

Friday, July 23, 2010

Friday Funnies





Note that she is playing a diatonic accordion with buttons on both sides. The right hand buttons have notes in one or two keys, and the left hand buttons have the corresponding chords. If it is bisonoric a different note is produced when the bellows are pushed or pulled.

Wish we could hear this one-woman band!

Thursday, July 15, 2010

Everybody Loves Raymond - The Bachelor Party Episode


Another episode in the ongoing derision of the accordion, from Everybody Loves Raymond.



Ray throws a bachelor party for his brother, Robert, at the lodge. Even though it's supposed to be a second, improved party, it's pretty lame. The banner is printed with the wrong name, there is no booze and no strippers, and of course... includes an accordion player.

I have no idea if the director knew that he was making the scene look extra stupid or not. Notice that the player's right thumb is held behind the accordion case. This is not how an accordion is played... so it's obvious that the music was faked.

The instrument is a 72 bass piano accordion.

Tuesday, April 6, 2010

Music Book Review- Broadway Favorites (Kotwitz)

Broadway Favorites for Accordion
This book, Broadway Favorites, arranged for accordion by Kenny Kotwitz has some great classic songs in it, but the arrangements are surprisingly difficult to play.

Contents:
Climb Ev'ry Mountain (Sound of Music)
Don't Cry for Me Argentina (Evita)
Getting to Know You (The King and I)
I Whistle a Happy Tune (The King and I)
If I Were a Rich Man (Fiddler on the Roof)
Matchmaker (Fiddler on the Roof)
It Might As Well Be Spring (State Fair)
Mr. Wonderful (Mr. Wonderful)
No Other Love (Me and Juliet)
Oh, What a Beautiful Mornin' (Oklahoma)
People Will Say We're in Love (Oklahoma)
The Sweetest Sounds (No Strings)
We Kiss In a Shadow (The King and I)



At first glance this appears to be a book of arrangements of average difficulty. In practice, many of the left hand bass solo notes involve jumps that are out of the range of dexterity for the average player. The right-hand melody lines are fine, so it is probably worth having this book just for the tunes it contains, but be prepared to do a bit of alteration on the left hand to make it easier to play.

Published by Hal Leonard.

Broadway Favorites for Accordion

Friday, March 19, 2010

Dixie Chicken - Little Feat Album Cover


Isn't this just the greatest album cover?



That said, it's sort of a mystery. The band, Little Feat, doesn't seem to use an accordion. They are a rock band, begun in the 1970s under Lowell George and resurrected under keyboard artist Bill Payne after George's death.

It appears that the album cover (1973) was inspired by some words from the song by Bill Payne "Cajun Girl:"
Fingers that fly on accordion keys
and later...
Might find me a dream, just West of New Orleans
If you pole up the bayou St. John
The way twin fiddles play
And she squeezes her box until dawn

But that song is not found on this album. Any comments with more info would be welcome.

See lyrics to Cajun Girl
Little Feat web site